Here's the posters, credit to Mii Siri ka



Namfon and her friends and The work of graduate thesis " Mother Courage and Her Children "
Mother Courage and Her Children (German: Mutter Courage und ihre Kinder) is a play written in 1939 by the German dramatist and poet Bertolt Brecht (1898-1956) with significant contributions from his mistress at the time, Margarete Steffin[citation needed]. It has subsequently been filmed.
It is one of nine plays that he wrote in an attempt to counter the rise of Fascism and Nazism[citation needed]. Following Brecht's own principles for political drama, the play is not set in modern times but during the Thirty Years' War of 1618-1648. It follows the fortunes of Anna Fierling, nicknamed "Mother Courage", a wily canteen woman with the Swedish Army who is determined to make her living from the war. Over the course of the play, she loses all three of her children, Swiss Cheese, Eilif, and Katrin, to the same war from which she sought to profit.
The play was originally produced in Zürich at the Schauspielhaus, produced by Leopold Lindtberg in 1941. Music was written by Paul Dessau. The musicians were placed in view of the audience so that they could be seen, one of Brecht's many techniques in Epic Theatre. Therese Giehse, (a well-known actress at the time) took the title role. The first production in then East Berlin was in 1949, with Brecht's (second) wife Helene Weigel, his main actress and later also director, as Mother Courage.
This production would highly influence the formation of Brecht's company, the Berliner Ensemble, which would provide him a venue to direct many of his plays. Brecht died directing Galileo for the Ensemble.
In 1955, Joan Littlewood's Theatre Workshop gave the play its London première, with Littlewood performing the title role. In 1995/6, Diana Rigg was awarded an Evening Standard Theatre Award for her performance as Mother Courage, directed by Jonathan Kent, at the Royal National Theatre.
From August to September of 2006, Mother Courage and Her Children was produced by the Public Theatre in New York City with a new translation by playwright Tony Kushner (Angels in America). This production included new music by composer Jeanine Tesori (Caroline, or Change) and was directed by George C. Wolfe. Meryl Streep played "Mother Courage" with a supporting cast that included Kevin Kline and Austin Pendleton. This rare production of Mother Courage and Her Children was free to the public and played to full houses at the Public Theatre's Delacorte Theatre in Central Park. It ran for four weeks.
An Introduction
First produced in Zurich, Switzerland, in 1939, Bertolt Brecht’s Mother Courage and Her Children is considered by many to be among the playwright’s best work and one of the most powerful anti-war dramas in history. The play is based on two works by Hans Jacob Christoffel von Grimmelshausen: his 1669 novel, Simplicissimus and his 1670 play, Courage: An Adventuress. Many critics believe Mother Courage to be the masterwork of Brecht’s concept of Epic Theater. This dramatic subgenre, pioneered by Brecht, sought to present theatre that could be viewed with complete detachment. Through such techniques as short, self-contained scenes that prevent cathartic climax, songs and card slogans that interrupts and explains forthcoming action, and detached acting that wards off audience identification— techniques that came to be known as ‘‘alienation effects’’—the playwright sought to present a cerebral theatrical experience unmarred by emotional judgement. Brecht wanted audiences to think critically and objectively about the play’s message, to assess the effects of war on an empirical level.
Much to Brecht’s chagrin, however, audiences identified with the play on a deeply emotional level, drawing immediate parallels between the Thirty Years’ War that the characters face and the horrors of World War II. Mother Courage was written in 1938-39, just as World War II was breaking out in Europe. Brecht completed the play while living in exile, having fled his native country in the face of a rising fascist government. It would not be until 1949 that Mother Courage would debut in Brecht’s homeland, with a production in East Berlin, East Germany. Brecht set the play during the monumental Thirty Years’ War, which occurred three centuries earlier, instead of the contemporary conflict. Brecht hoped that, because the events depicted were removed in time, audiences would be more objective when they viewed the play. But many of the European viewers and critics had first-hand experience with the horrors of war. They easily found personal meaning in the play’s setting and story. Brecht rewrote the play for the 1949 East German production, hoping to minimize an emotional response from the audience, but Mother Courage still proved a powerful experience. In the decades since its debut, the play has grown to be regarded as one of the twentieth century’s landmark dramas and a potent condemnation of war.

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